A Sonnet on the Longest Day
Suppose bright sun having reached the apex of its ascent
Should stop, look down on brown baked earth beneath
As mem’ry of cool morning dries to dust. Fresh dew’s scent
Lost in the tired dying of all green things. Wilting leaf,
Burnt grass, flowers faded, sad stream bed dry and cracked
Thirsting beasts, heads bowed silent in the scanty shade
Old frail folk silent in dim curtained rooms heat racked
Hopeless of evening breeze on day that will not fade.
It cannot be so. Despite our folly this world
Will turn, tilt, continue on its full yearly course.
So seedtime, harvest, seasons, day, star shining night
Are watches that mark time for ship swith sails unfurled
Driven by fair following winds whose unseen force
Brings them home to harbour of everlasting light.
Midsummer 2025
“
Summer Night, Cornwall
Soft summer night. I stand above the bay
Silvered horizon, the moon’s distorted track
Reflecting boundary between this sphere and the next
Folds of different darkness shadowed at my feet
Drowsed roar of surf on broken cliffs beneath.
Across water village lights speak friends
Homes, warm bodies merged in love.
It’s true that I could walk the darkened lanes
Risk unseen briars, stumbling in the now black grass.
But it would take time. Lights go out
And sleep cuts off that good world from my reach.
I turn to look above. The stars are village lights
A haven cut off by vasts of time and space.
Are they too partners in a dance of life
Complex joy of satisfied desire
Singing music beyond range of human ear?
Suppose my reference point was not myself
Sea, village, stars defined by where I stand?
So I no longer gazed across a void
Missing songs in which I cannot join
But were in truth already in the dance?
Empowered with sureness I am not alone
With knowledge that what lies out there is true
Then I am no lost stranger here
Outside the wall, cut off by all past choices
From dancing rhythm, the beauty of those voices?
Could I remain here? Self-denied my rightful place
Self-condemned to darkness, refusing grace
Passage across the boundaries of the spheres
To starlight music that denies the void
To village firelight love to be enjoyed.
I had been reading C. S. Lewis’s “The Discarded Image”, where he speaks of the mediaeval world view of humankind being confined to the innermost sphere of the heavens (delimited by the orbit of the moon), excluded from full participation in the music of the spheres by the Fall –our own choices –. Then, a few nights later, I saw the lights of Boscastle with the moonlit sea between and the idea came.
Questioning the winds
Where do you come from, south west wind
Sharp raindrops fresh against my face?
From Atlantic deeps, past the Azores
Across Cornish cliffs and Devon moors
Up Severn’s stream, by Newark town
Soaking fields, ploughed, furrowed, brown.
Where do you come from north east wind
Stinging sleet against bowed head?
From taiga, tundra, cold Zemlya’s lea
Norway’s snow mountains, wave grey North Sea
Marram dunes, marsh and windswept wold
Bleak bringer of deep dark and cold.
Where do you come from, north west wind
Sweeping storm clouds across the stars?
From far Ellesmere Land, the elder ice
Greenland glaciers, lone Hirta’s height
Glasgow slate rooftops, Pennine fells
Calling adventure, weaving spells.
Where do you come from, south east wind
Touching gentle on my cheek?
Arabian desert, Danube plain
Moselle vineyards, chalkland terrain
Essex creeks, woods, fertile fen
Breathing warm summer has come again.
2023
Evening view from Moab
The westering sun
Dips towards that far off sea
Whose waves will forever break beyond my reach
Orange light, hazy through the glow of dust
Still warms my tired limbs
As I sit quiet beneath the blossomed vine.
Morning in such brief spring
The smiling lad, tall between the cypress trees
A strange, hungry for life and hope and joy
And finding them with me
Who’d known no other than a sister’s care.
But so soon an end
I still walk to that low mound
To renew the sad flowers that wilting, mark
One of the three I ever truly loved.
The others also lost
To fear of the unknown and mem’ry’s hold.
Across the valley
Weak starpoints of candlelight
Mark homes with life within. I will never know
The fate of those two I held and kissed
And turning, left that day
By the river bank now so long ago.
The climb back up the hill.
Eyes burnt blind with bitter tears
Shame that I stayed yet relief that the unknown
Would not be met heartbroken, far away.
True, my rebuilt life
Has given me a numbed happiness.
But what might have been
Had I gone on with them?
The steep hill the same but to a different end
Of joy or pain. The choice behind me now
Yet my heart still cries
O Ruth, Naomi. That spring long ago.
15/2/04
This poem took years to write: the idea came from reading is the Book of Ruth. It seemed to me that Orpah made a different choice that the writer (unlike may commentators) does not condemn. But her choice took her out of the story and she could never know what might have been, just as Ruth at the end of her life could not know what was to be.
The view is from the King's Highway, the ancient road that runs north to south along the eastern rim of the Jordan Valley. It would have passed close to Oprah's home in Moab
Ascension Remembered
“since I myself have carefully investigated everything from the beginning,
it seemed good also to me to write an orderly account “ Luke 1 v 3
Luke’s introduction to his 2 volumes of the life of Jesus and what happened next.
You say your road was over Olive Mount?
That you are Luke, the friend of brother Paul
Come to question us old men who can recall
Events of a quarter century ago?
Who saw him leave this earth, heard not “goodbye”
But “I’ll always be with you.”
Well …..
We climbed up Olive Mount together.
He had appeared as he so often did
In those strange days that seemed more real than time.
When he explained all we had not understood
Before he died and rose. Gave hope and peace,
Joy’s freedom, the changing of the world.
We sat on Olive Mount together
“The kingdom now restored to Israel?”
Heard “Now it is not for you to know the time.
Wait. Holy Spirit’s presence will come on you.
Fill you with power to tell all you’ve seen and heard
From the city to the world’s far ends.
We stood on Olive Mount together.
When – he was not there. Hidden by a cloud.
We still looked upward. Two white dressed men appeared.
Challenged. Told us where he’d gone. That he’d return.
Then we all knew that this was chapter’s end.
Our own world would never be the same.
We walked down Olive Mount together.
Silent. Sad our friend seemed gone but certain
His promises would prove true. The Spirit come.
Fill us, bless us, give us strength for coming years.
With him, in him, he in is us we’d go.
Be his people to reclaim his world.
We came home from Olive Mount together.
Past garden where we’d slept and feared and fled.
Crossing steep street where he’d stumbled with the cross.
To upper room where we’d seen he was alive
To wait and pray together, not knowing
The how of the changing of the world.
Now ….
See! We look across to Olive Mount
If it could speak it would confirm these things.
I know, dear Luke, that as a good historian
Your calling is to focus on solid facts.
But old men’s thoughts, hopes, feelings from the past
These too are truths of his Kingdom’s world.
May 2026
Many of us know the stories of the Bible almost too well. Sometimes it is good to try and imagine ourselves. one of the people who were there but who don't get a specific mention. One of the apostles perhaps who though listed in Acts chapter 1 but not again - Andrew, or Bartholomew or Simon the Zealot. There are traditions of course but no certainties. But Luke could well have met one of them while he was collecting the material for his 2 part work we now know as Luke's Gospel and Acts, around AD55 while Paul was being held in prison in Caesarea before the voyage to Rome. What we would have thought and felt coming back into Jerusalem having seen Jesus go to his Father?
I thought I would leave this one on the site for a bit longer : perhaps it makes a good contrast : Orphah's sense of loss with the certain hope of the unknown apostle